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But the crowd–that made it so much sweeter for me.” The triumph was followed by two Grammy awards the following February, the ACM Top Female Vocalist trophy in May and sales of four million copies for her first greatest hits collection, Songbook. It was the one I wanted because it was the one I’d never got. Yet in retrospect, many artists from that era recorded a superb catalog of hits that still hold. Later, Yearwood would say, “I wasn’t prepared at all for the response from the crowd. Country music from the 1980s often gets a bad rap because of the sour aftertaste from Urban Cowboy. As proud as you are of me right now, I’m prouder to be your daughter.” “Most of all, I want to thank my parents.
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“I don’t know what to say,” admitted an overwhelmed Trisha, “except that this is what I have wanted ever since I saw Reba McEntire win Female Vocalist of the Year and stand on this stage and say into the TV set, ‘If you have a dream you can make it come true.’ I believed you Miss Reba and I’m here.” Trisha went on to thank her parents. Her tearful speech (thanking her husband, her parents and Reba McEntire) was made in humble, honest awe at the vociferous support from an often-discerning crowd. And once on a street in New York City With the jazz and the sin in the air And once on a cold LA freeway Going nowhere. That same year, Betty was a finalist for Country/Rock Song of the Year at the Music City News National Songwriter Awards. Cloud, Minnesota I thought I saw you there With the snow falling down Around like a silent prayer. In 1987, she received a citation of achievement from BMI for Betty’s Bein’ Bad. Florida Georgia Line / Keith Urban / Jake Owen / Lee Brice / Kacey Musgraves / Dwight Yoakam / Garth Brooks / Trisha Yearwood / Molly Hatchet / Brandy Clark / Gordon Lightfoot / Chris Janson / Brothers Osborne / Paul Cauthen / Lukas Nelson & Promise of the Real / Georgia Satellites / Lillie Mae / Aaron.
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For the third time, Yearwood was nominated for the honor, and she received yet another standing ovation when her name was called as the winner. Marshall wrote her first song in 1973 and has been writing ever since. Immediately after the performance, Ronnie Milsap presented the Female Vocalist of the Year award. Her pleading, yearning performance earned a standing ovation from the industry crowd. But one of country music’s truly gifted vocalists made significant progress within a span of ten minutes on September 24, 1997.įirst, she sang the Diane Warren ballad “How Do I Live,” her contribution to the Con Air soundtrack. Her lone victory before the 1997 awards show was for her small part in the Eagles tribute Common Thread, which won Album of the Year in 1994. Trisha Yearwood had been nominated for numerous CMA awards in the past, but she’d often been surpassed by her peers.